This not only affects the way shots are lit and composed, but it shapes everyone’s expectations for the grade, ensuring that this process feels like a natural continuation, rather than a sudden alteration, of the film’s aesthetics.ĭespite their limitations, LUTs remain the most reliable solution for these needs, and it’s no wonder more filmmakers than ever are interested in creating their own camera or show LUTs. Equally important is the ability to preview the creative intent of the filmmakers prior to final color.
First, since virtually all professional and prosumer-level cameras now capture a larger color space than our displays support, we need a consistent, lightweight, and platform-agnostic way of technically transforming the image for viewing - not only in our final grade, but also throughout the production and post-production phases. Today, LUTs play a more important role than ever in production and post-production workflows.
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